4 reviews
1] Generations of Sicilians have fled the island because the poverty and corruption made it a place not worth living. So how will it be a place for the son to discover that life is worth living?
2] The mother is only stage managing the plot; the son is the main character, the one who has to live it. She is not in control of the outcome; he is. He is the pivotal character, the only one who can make the ultimate decision to live or die. So the logline ought to cast him as the protagonist.
fwiw
When a teenage boy tries to commit suicide, his desperate mom books them on a trip to Sicily to show him life is worth living before he tries again.
Agreed with dpg, the set up isn't compelling and the leads action 'she must do something' is vague.
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Beginning: When her son tries to commit suicide... (It's hard to show someone 'realizing something' instead you should show an action. The son attempts but fails to kill himself, now we have a compelling inciting incident)
Middle: A distraught mom, books them on a trip to Tahiti... (Obviously, your logline will be different, but 'she must do something is vague. instead tell us what she does in her attempt to save her son, because that will probably be your hook)
End: to show her son?life is worth living. (Showing her son life is worth living is a positive goal, getting him off those dark thoughts is a negative goal, I would try to go positive in main characters goal instead of negative)
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End result: "When her son tries to commit suicide, a distraught mom books them on a trip to Tahiti to show her son life is worth living."?
Again, your logline will be different I am just trying to show you the thought process.