A violent gangster turns vigilante when his young son is murdered, but when he executes an undercover cop, his operation backfires.
The Executor
Where screenwriters learn the form and logline their screen ideas.
The Executor
This is an interesting story. I appreciate the process in this forum, to help writers work through their ideas.
I think the original was good.
Regarding the word "grooming" used in the later version, it didn't strike me as a negative, when I read it. I hope we get to read the script when you finish it!
Just change the ending, maybe you can write the entire logline in some similar form.
I HAVE to leave a positive review when I see a log line scenario that is intriguing AND... I believe not only COULD happen in real life but probably WILL eventually happen in real life. I love stories that seem utterly plausible, unique, and "inevitable", in other words. Since I cannot add anything substantive to the great comments posted before mine, I'll leave it at that. KUDOS!
I think your original logline, is very strong and what you are classing as backstory is also a v strong film premise. You could have a trilogy in here. You seem to know the backstory really well, so don't dismiss it, you can use that. as Part 1.
Well, with the help of all the feedback I finally realized something I'd suspected for a long time - it's TWO stories - or rather - the hero has TWO GOALS.
So, the hero's new goal is: to find a new recruit for his next 'hit' coming up on Saturday.
A clear, achievable, outward goal : to find a new recruit.
New logline:
"An embittered vigilante has to find a new recruit in time for his next kill, but when his wife and daughter uncover his plans he's forced to choose: stop killing... or lose the ones he loves."
Good way to realize the protag 1st role and driving goal that wraps the whole story up tight , then show the stakes and reveal the resolution .Interesting reading .