A crisis manager gets recruited by the vigilante crew he idolizes to investigate if the family business he is paid to protect sells memories.

Investigate whether someone sells memories?? Obviously the family business does, otherwise the idea wouldn't be in the logline.? And there wouldn't be a a story to tell.?

And the story to tell in the logline and script is what becomes his objective goal AFTER the discovery about the true nature of the family business.?? What must he do now -- what becomes his objective goal?