Otherworldly occurrences and unnatural incidents stem the blossoming relationship between a bookish teacher and the mother of one of his problem students.
Glenarven
Where screenwriters learn the form and logline their screen ideas.
Glenarven
The characters in the logline are passive, acted upon, rather than acting. What do they DO about these "unnatural incidents"? How do they fight back?
The conflict is pretty vague and there is no stated goal. Here is a version that gives the couple something interesting as a starting off point and suggests a possible answer to the unnatural incidents.
"A widower teacher and his troublesome student's widowed mother find their growing romance has supernatural consequences."