Thanks guys - super helpful. How about this?
"Jacob has lost his faith. When a woman who says she's from the future appears at his door with a warning, he's faced with an impossible choice - to believe her at the cost of his reputation and sanity, or fail and be responsible for revisiting the evils of the past on the future."
The stakes are clear to me (and hopefully, with that new logline, clearer to you), but I'm struggling identifying my antagonist. The woman explains that the military applications of the work he is doing (developing more accurate weather prediction software) leads to the development of the first time machines, and that allows a malevolent military the ability to alter history in their favour. So the antagonist might be the 'big bad military' she describes. But the conflict of at least the first half of the story concerns itself mostly with Jacob's incredulity. So he's kind of his own antagonist? (is that possible?). In the final act, it is revealed that the woman is actually an employee (from the present) of a rival software company who were direct competitors for the military contract Jacob's team has been working under. Her objective was to make him believe his work was dangerous to the future of humanity, so that he would sabotage it from within, and force the brass to pull their funding from his company and give it to hers. So ultimately she is the antagonist, but as this is a third act reveal I didn't think it right to include in the logline?
Genre wise I guess it's science fiction, because it deals with time travel. But in the same way that Primer or Another Earth are science fiction films, or Monsters is a monster movie - low key sci fi, perhaps?
Also - Andrew, I've never had to identify the irony in a story I've written. Is this really necessary, and if so how do I identify it?