After literally dying onstage, a caustic comedian's only shot at getting into Heaven is to fix three lives ruined because of him.
An Angel Walks Into a Bar…
Where screenwriters learn the form and logline their screen ideas.
An Angel Walks Into a Bar…
Sharp and to the point well written logline indeed but it feels a bit too academic by that I mean it lacks the emotional motivation that the ghost genre normally has. For example the love for his partner in 'Ghost' or the love interest in 'Just Like Heaven'.
The emotional motivation often helps create and sustain the internal journey for the MC to learn how to become better individuals dead or alive.
I assume this is a comedy and as such gives the freedom to stretch the plausibility aspect. Perhaps then add in an ally or love interest to help the MC change and go on an internal journey as they achieve their external goal.
Hope this helps Nir.
I considered that, but think it still works without it. Will still give it a try, though.
Thanks!
It might benefit from a ticking clock.