After learning his father did not die when he was 7 a man sets off to find him, and does, at a silent monk monastery halfway across the world.
Away
Where screenwriters learn the form and logline their screen ideas.
Away
Where is the struggle and end goal for the lead character? It seems like the entire story is revealed in the logline. I would focus more on what happens AFTER the lead finds his long lost father. Clearly, the father is not the same person as before he joined the monastery. I see potential in this, as long as you're willing to dig deep into the plot and find a way to pull the reader in.
Lead character: A man (That narrows it down to about 4 billion or so possible people)
A shy banker.
A rough FBI agent
A shallow attorney
A hopeless romantic
A Narcissistic children's author
It only takes a word or two, to give the reader a little information about lead character.