1 review
And then what happens? ?The logline sets up a 1st Act situation but has no 2nd Act ?plot.
As a result of falling in love for the "ladykiller", ?what becomes the woman's objective goal? ?What becomes the dramatic problem? ? What difference does it make to the actress as to how the relationship works out? ?Or to the audience -- why should they care or be interested in what happens? ?What's at stake?
You might want to check out the "Training" option at the top of the web page for guidelines on writing an industry standard guideline.