Mike Pedley
Singularity · 51,300 points
- 70 loglines
- 698 reviews
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Recent reviews
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The whole thing kinda reduces the girl to a prize to be won... not sure that's really appropriate in this modern day world. She needs to be an active character, not just a trophy.
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I think you can do better than "a man". He's your protagonist after all. Can you give us a little more so we get some idea of who he is and what his arc is. I'm guessing it's being able…
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So tell us what he's going to do about it. That's the story. Films are not just about problems, they are about how people try to solve them.
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Stick it in Examples if it's an existing movie. What's standing in his way? It sounds way too easy atm.
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It seems like the inciting incident is the moment they discover why the aliens abandoned the war. That's the bit which sets up the question and leads to the goal. That's what bookends your story and it's fundamental to understand…
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Why would the aliens abandon an imminent victory? It makes no sense and has no relationship to the goal of stopping the extinction of the solar system. Why is the solar system going extinct anyway? Without knowing what specifically is…
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Re: the logline itself: Since Ripley is the protagonist, the inciting incident could/should be framed around her. The fact they've lost contact with the colony is key, but I think it needs to be from Ripley's perspective. There's some leg-work…
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This is just Aliens, right? Stick it in examples if it is or you'll get a lot of people saying "this has been done before"! Hahaha!
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The End. Specifically, what happens? Visually, what are we watching on screen. All the action is happening inside the character's head. We don't need to know his name's George. It takes up valuable real estate in a logline. Instead give…
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Ok... so she's currently battling discouragement... what will she be battling (besides that) while she writes the movie? What is stopping her achieving her goal? What will stand in her way? In other words, what will sustain the 90mins+ runtime?…
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Why is he a realtor? As cdesikan said, we need more specifics - are these premonitions which can save the victims? Or transferred memories which can help solve a crime and get justice? Why does he need to save himself?…
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So what's he going to do about it? You've given us a setup but no plot.
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on Six interwined stories about high school students dealing with bullies and high school cliques.
That's not a theme, that's a setting. -
There's a disconnect here between the inciting incident and the goal. Harvard is expensive... so is she trying to get a scholarship? If so, we kinda need to know that. What relevance does the wager have on her journey to…
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on Six interwined stories about high school students dealing with bullies and high school cliques.
For a story that is a multi-stranded narrative, the logline must be framed around the theme of the story. What is the theme here? -
This is kinda like a cross between a logline and a tagline. It's incredibly vague and definitely in need of clarity. At what point do they make the discovery of the treasure? If it's at the end of the second…
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Why is he stealing money from a gang? What makes him better than the people he's stealing from and therefore makes us root for him? "A man" - that's all you have to say about the hero of your story!?…
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So what's he going to do about it? This is just the first act, what happens for the duration of the 90min+ runtime? Who is this researcher? Why is he our protagonist?
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I think, since this is a story with a solid midpoint, I'd suggest using the "but" method. At the moment, it reads like any other story, suggesting that his disappearance is the inciting incident. I get the impression this isn't…
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No problem at all. We're all learning! Check out my blog - I've done a couple of posts about crafting loglines: lefttowrite.co.uk