When a frustrated intelligence analyst realises that she has unique insight into a series of international assassinations, she must level up into the world of global espionage to learn more about the sociopathic young woman who is doing the killing. But is this a deadly game of cat and mouse, or a love story?

Loglines do not have a question. You’re the script writer and your aim is to, inform the reader not seek their Predictions.

Usually log lines are around 30 words. Yours is much longer.

What happens if and if not the analyst reveals the sociopath ? How will it personally affect her?

What's the title of the show?

"But is this a deadly game of cat and mouse, or a love story?" - tacking this onto the end feels like a short cut. I recommend weaving the relationship line into the actual logline as this speaks to the story's conflict.