When a man wakes up in an unfamiliar bar with no memories, he is compelled to solve the mystery and reconsider his own relationship with death.
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Where screenwriters learn the form and logline their screen ideas.
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When a man wakes up with no memories in the world where people interact through a game of Rock. Paper. Scissors. , he must solve the mystery of his predicament and consider his relationship with death.
Does refer to the movie already made.
"When a man wakes up with no memories in the world where people interact through a game of Rock. Paper. Scissors. , he must solve the mystery of his predicament."
>>>Consider his relationship with? death?
Vague, needs clarity. Specifically, what does that mean in terms of what he must do?
And a plot is organized around one prime objective goal.? Not two.? Just one.? A logline is about the struggle to achieve that one goal. All other goals are secondary and subordinate to the prime goal -- and extraneous to a loglne.
So what is his singular primary goal: solve the mystery or "consider his relationship with death" (whatever that means)?
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And does this refer to a movie already made?? Because that's what? "examples" are for.
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When a man wakes up in world where people communicate through a game of Rock, Paper, Scissors, he is compelled to solve the mystery and reconsider?his relationship with death.
A couple of thoughts I hope are useful:
So, Memento? Also I'm struggling with "relationship with death"... doesn't really mean anything to me on its own.