As police uncover a far-right group behind a series of grisly murders sweeping Japan, a police officer and former ultra nationalist seeking redemption must go undercover to prevent his younger brother from going down the same wrong path.
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Where screenwriters learn the form and logline their screen ideas.
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Odie, as always thank you very much for your advice and input, always appreciated!
Best
Jim in Japan
There’s something to this, consider the following:
To keep from following two goals (police – group behind bars | far-right guy – rescue mission), two unconnected protags but one brother, I produced this.
Example:
“A former ultra-nationalist must rejoin a far-right group behind a series of grisly murders sweeping Japan in order to rescue his wayward younger brother”
You can up the stakes by adding a “before” element at the end e.g., before the police catch up to him.
Hope you find this constructive, make this yours, keep going!