NewGrimmCity
0 points
- 2 loglines
- 20 reviews
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This screenplay has been written. In my opinion, an effective logline should convey the central premise, and give the reader an impression of the primary protagonist. Anyone can fight to destroy a monstrous creature, but if the protagonist is an…
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Also, a pared down version: A fiery young novelist visits a secluded Louisiana town and ends up fighting for her life when a monstrous creature is unleashed by the paramilitary group charged with studying it.
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A fiery young novelist visits a secluded Louisiana town and ends up fighting for her life when a monstrous creature out of South American folklore is unleashed by the paramilitary group charged with studying it.
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I'm still working on it, but here is where I am with it right now. When a fiery young novelist visits a rural Louisiana town, she quickly finds herself fighting for survival when a monster, straight out of South American…
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I would recommend trying to pare this down to a single sentence. It looks like there is plenty to trim. Also, you might try punching it up with a few specifics.
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Blundering, awkward, and clumsy are all adjectives that describe the protagonist. What is it about the loglime that makes you think that bumbling isn't appropriate? Is it that I'm not dealing with him changing from bumbling to something else, or…
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Thank you, that helps. To answer your question, he is there at the time of the murder and when the body goes missing, though he doesn't see the murder happen, nor does he see what happens to the body. He…
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I think the second one you just gave is a lot clearer.
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Honestly, it's just a bit wordy. Try to get to the crux of the story and do it concisely.
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I wonder what you mean by "can't find an application." Also, what do you mean by "objection of the FSB?" This is a good place to raise the stakes. You might consider saying "Russian secret police" instead of FSB. You…