What industry pros look for
The notes the community's most respected reviewers give most often — with real examples of each. Fix these before you post.
1 Active protagonist
They pursue something — things don't just happen to them.
A logline must show what the protagonist does, not just what happens to them. Audiences follow protagonists who want something and take action to get it — the most common note by far is that the lead is passive.
Test: Distinguish setup (what happens) from plot (what the character does about it).
Seen in 316 real reviews
Real reviews where the community's most respected reviewers raised this exact note — quoted so you can see what it looks like in practice.
- Understood. With the goal being the job I suggest reveres engineering the story from that. "...while his facial expression showed increasingly more despair." Maybe Brando could have been able to pull this off but even then its a week cinematic end visual. Being a short…
- young insecure girl -- Insecure teen (You say 'she' later on so you don't need to say girl) who lost her boyfriend by an accident,-- When her boyfriend dies (Don't need to tell us by accident) is sending -- Sends a naked video to a…
- "...the protagonist must find the courage and confidence to step out of his usual observer? role and act decisively, which is usually out of his character." This is a great inner journey so best to use it to drive the story. As mentioned true to…
- There appears to be a few fundamental problems with this concept. Fundamental problems such as these that are not resolved are often indicative of faulty concepts. Please forgive my candidness (few appreciate strait forward feedback). The first and most glaring problem is the mix of…
- Since there is no lead character to connect with, and 'face their darkest demons' is vague, it's hard to connect with this logline. Also; lead character's are pro-active but in your logline you tell us what happens to the characters not what the characters must…
- The wake up in a mysterious room inciting incident has been used many times only it presents a problem if used incorrectly. According to this logline the MC wakes up in a room on frame one which means this is the normal day to day…
2 Named antagonist
If it isn't implied, name the opposing force in 2–3 words.
Without a clear obstacle there is no story. The antagonist — a person, a force, a deadline — is what makes the goal difficult. "Everything" or "society" is never specific enough.
Test: Name the specific force opposing the protagonist.
Seen in 663 real reviews
Real reviews where the community's most respected reviewers raised this exact note — quoted so you can see what it looks like in practice.
- I'm not sure if this is a logline problem or a story problem, but you start with the threat (antagonist) being an ancient spell book, then you end with the threat (antagonist) being a voodoo witch doctor. I would stick with one or the other.…
- No need to mentioned the title in the log line also no need to mention the genre, ideally the genre will be evident in a good logline. Choosing is not action. Action is what is done after choosing between the lesser of two evils and…
- Bit confusing as there seam to be 2 posts for the same idea I'll respond to this one. Firstly when dealing with a romantic vampire movie it must be clearly positioned relative to the numerous romantic vampire movies out already, the shear number of which…
- I see. So from what I understand here is a quick point form breakdown of your story so far: MC - candle maker flaw - naive? inciting incident - twin being kidnapped external goal - save MCs twin internal goal - grow up? become mature?…
- I haven't seen the movie but this only gives us the Inciting Incident. What is the historian trying to achieve for most of the movie? I guess: find the the treasure... but what are the obstacles? Try starting like this to figure out how to…
- Try to define an obstacle for Steve as an outwardly force that will prevent him from reforming the band rather than a characteristic of his. This may help you shape a journey for him.
3 Cause & effect
A clear major event forces a specific goal.
A logline traces a causal chain: event → goal → obstacle → stakes. If the inciting incident has no bearing on what the character must do, the story feels random.
Test: Ask: why does this event force the protagonist to pursue this goal?
Seen in 228 real reviews
Real reviews where the community's most respected reviewers raised this exact note — quoted so you can see what it looks like in practice.
- I believe what confused me about your first logline was the term "Zombie like state" which means to me, he runs around trying to eat peoples brains. In other words, the drug the scientist created made people 'go mad and try to eat peoples brains.'…
- The character description in this logline jumps out and not in a good way. Currently there are three things the MC is: young, a candle maker and has magic powers. Economy in words adds power to a log line so better to use a shorter…
- Great comments raised above. I would add that the teens description is unclear, what does older teens mean? Older than who? Best to describe a character flaw in this case than the age. Teens is enough to place the characters in a specific demographic. Additionally…
- I think we have an overload of Inciting Incidents: - he finds out he's an android - the aliens arrive - he finds out about his own powers His main goal of saving his home probably goes further than that: he must save the world!…
- There is an obvious problem with structure and logline conventions in the original post. Check out this page for help with lolgline conventions and basic structure: https://loglineit.com/howto/ For the next draft of the logline best to simplify the story to deal with less subject matter,…
- The logline forces the logical connection between the MC being struck by lightening and him getting the girl or the bad guys. Therefore the concept feels laboured to me, if I were to here of a boy being struck by lighting and getting special powers…