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When a contract killer murders the wrong person, he must hire a body guard to protect himself from his own employer.
I agree with all of the above. The bodyguard steals the action and the hitman feels weak and passive. I am interested in the bodyguard, if the body guard proves to be a complimentary character in a buddy movie. For example, in case of a comedy: When a perfectionist hitman kills the wrong person, heRead more
I agree with all of the above. The bodyguard steals the action and the hitman feels weak and passive.
I am interested in the bodyguard, if the body guard proves to be a complimentary character in a buddy movie. For example, in case of a comedy:
OK, it probably is totally different from your intentions, but it’s an example where the two characters compliment and contrast each other.
Otherwise, as long as the hitman is the protagonist, the bodyguard is secondary and should not steal the show.
See lessWhen exiled from his town, a duplicitous man must confront his identity.
Sounds cool but you could add some stakes and a clearer goal to make it easier to visualize :)
Sounds cool but you could add some stakes and a clearer goal to make it easier to visualize 🙂
See lessWhen dangerous robbers invade her remote country manor, a stubborn elderly widow must use her intimate knowledge of the building and her collection of ancient weaponry to fend them off.
Sounds like a cool movie Paul. What about the logline below? When robbers break into the house of a recently widowed old woman, she must use her intimate knowledge of the house and her collection of ancient weaponry to take her grief out on the robbers. 35 words,
Sounds like a cool movie Paul. What about the logline below?
When robbers break into the house of a recently widowed old woman, she must use her intimate knowledge of the house and her collection of ancient weaponry to take her grief out on the robbers.
35 words,
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