In 1961, when a British spy falls for a Nazi?s fiancee, he jeopardises his assignment to thwart the Nazi?s uranium smuggling operation.

Dpg – After a recent rewrite, I?ve found the relationship to be integral. I think I?ll go with your recent one. It ticks all the boxes. I?ll be putting this up on the Blacklist soon – I?m curious to see what logline my reviewer gives it. Thank you for your contributions and endless support. Also, I might put up this new one to see what people think.?

Ckharper – I do as well. Hmm. Well. He?s a double agent turned traitor/Nazi war criminal. Ex-Nazi makes sense. It is a bit more complicated because he is a pawn/something of a puppet. But with marketing – I do need to keep things simple.

You?re right. It does declutter it. I must admit doing a logline for a series that hasn?t been written and having done a pilot where you?re holding out on plot developments/surprises – doing the series logline is quite hard (I know it shouldn’t be). But yeah – we?ll go with Nazi. For clarity and leanness and for marketing the thing.

As for the pilot, I might go with yours too.?

?In 1961, a retired spy living the highlife on the French Riviera, must return to his old dangerous games to catch a Nazi war criminal?.

But I’ll tweak it and use this one…

?In 1961, a British spy must return to his old dangerous games to catch a Nazi war criminal living on the French Riviera?.?

(As I’ve rewritten the pilot, he’s a bit more mysterious. I know FR is a little redundant – but I’m so damn sure that’s a selling point.)

I hate going with someone else?s but one cannot let their ego get in the way of progress. After a few months of logline work – I really need to get these things sent off.

Okay cheers everyone.