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  1. Posted: April 21, 2018In: Drama

    A family – who are part of the same cult – discover that they must sacrifice themselves in order to enter the afterlife. But when Blake – the open-minded son – begins to suspect that there is no such thing, he must try to convince his brainwashed family to save themselves from their upcoming suicide. TITLE: Live to Die

    Absinthe Head Penpusher
    Added an answer on May 23, 2018 at 11:45 am

    Maybe something along these lines?As? family who share unorthodox religious views prepare for their untimely entry into the afterlife, their son and brother Blake must question the doctrine and save his family from impending doom.

    Maybe something along these lines?

    As? family who share unorthodox religious views prepare for their untimely entry into the afterlife, their son and brother Blake must question the doctrine and save his family from impending doom.

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  2. Posted: May 13, 2018In: Drama

    A young writer tries to accurately research her novel by getting pregnant and having an abortion, only to find out that she is infertile.

    Absinthe Head Penpusher
    Added an answer on May 23, 2018 at 11:34 am

    I almost wish the ending did not give away the character's journey's end...

    I almost wish the ending did not give away the character’s journey’s end…

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  3. Posted: May 19, 2018In: Drama

    When a young climber becomes paraplegic after an accident. In the rehabilitation center, she must accept her reality and find a new motivation for her life before choosing suicide.

    Neer Shelter Singularity
    Added an answer on May 22, 2018 at 6:38 pm

    Best to think of a story, at logline stage, as an action-reaction formula - this thing happens and therefore this person must do this other thing. "...accept her reality..." isn't an action, it's an emotional/mental process. As film is visual, you need to think of physical actions that embody the emRead more

    Best to think of a story, at logline stage, as an action-reaction formula – this thing happens and therefore this person must do this other thing.

    “…accept her reality…” isn’t an action, it’s an emotional/mental process. As film is visual, you need to think of physical actions that embody the emotional state of the character.

    So, as a result of becoming paralyzed what must she do in specific terms? And, what will the camera see her achieve as a result of these actions?

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