jelewis8
186 points
- 1 logline
- 11 reviews
Loglines
Recent reviews
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@dpg thank YOU for your sticking with the process and providing useful feedback! I'm all about getting there; the twists and winds of the road are necessary part of the journey. >>For the purpose of a plot and logline, the…
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Intriguing! I'm unsure if you actually need to include the "hook" (the lie) in this logline, as it seems like it might unnecessarily complicate the premise you're selling. The core premise is this Mossad agent coming out of retirement to…
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So here's a long-winded, but possibly on the right track, version: When an alcoholic soldier with PTSD from the war in Afghanistan has a fatal confrontation with his abusive father after returning stateside, he is sent to a rehab facility,…
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What happens if she doesn't succeed in her plan?
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So you can lose the "In an anthromorphic world" part (btw it's anthropomorphic). It's assumed the world you've created has some relation to people even if it's shown through the eyes and actions of an all-animal cast. This logline is…
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What's crazy is this strikes me as a logline that doesn't understand stakes. What happens if he doesn't succeed in his attempts to live a life of no commitments or emotional attachments? Right now this seems extremely low-stakes b/c the…
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My question is: is this a movie? Or is this a few scenes for a larger movie about survival, hope, perseverance and faith? Can you clarify WHY he wants to give his illegitimate son a proper Jewish burial? What is…
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Thank you all so much for helping me workshop this. It's the toughest logline I've had to write b/c the story is more cerebral than concept-oriented.? You guys are asking all the right questions and helping me dig into the…
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Goal is to overcome a family history of alcohol addiction and patriarchal abuse (verbal, physical, emotional). Memory loss comes from lithium treatments for PTSD, part of mandated treatment after returning from Afghanistan. So maybe a different approach would be: "After…
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There's confusion in the premise, leading to unsure expectations for the audience. It seems like an evil warlord wouldn't care if his henchman kills a noble hero--that's why he's evil, right? Then there's the passivity of the protagonist. He's forced…
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This seems to have too much information in it. It seems like you are also missing key components that would help you simplify AND have a stronger emotional connection. I think you can get rid of the first part entirely.…